“Lino Ventura, intimate part”, kind face

“Lino Ventura, intimate part”, kind face

With a fork in his hand, his eyes burning in front of a pork stew with beans or an alla romana gnocchi, Lino Ventura seemed to be a druid, leaning on the fate of the world. The pleasure of the table gave no interruption, no interference, except for the cook in the kitchen. Sitting at a solitary table, just as focused with friends, he enjoyed the company (selected), the taste (detail), the atmosphere (collected), the drink (high flight). Seeing him attack a dish was like a Shakespearean drama. When one of his friends asked for a Romeo punch (rum և water), Lino Ventura answered: “Othello” (remove the water). The table was quite a business.

Cinema too. He started with Jacques Becker’s masterpiece “Touchez pas au grisbi”. He played Angelo, a half-salt scoundrel who kidnaps Riton, a friend of Jean Gabin. He had the threatening verb, the structure that goes with it, ավ he spent the night in Paris with the aura of betrayal, in a double jacket, with the rogue verb. It was a memorable introduction. He was cast as a villain in “Razzia sur la chnouf”, “Immediate Action” or “Le rouge est mise”. The 1950s, which promoted shadows and spies, were enjoyed by Ventura, who was the only actor who could confidently turn a gnome into the opponent’s nose. Because he was a wrestler, Lino, he knew how to bleed, and then how to bleed. Immediately

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